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How to choose the perfect ballet slipper?

21 March 2014 - 00: 00

Every dancer who reaches a certain level in classical ballet has had time to know your own body and know in detail each of its parts.

As for the feet, very important in this type of discipline, there are innumerable types with certain characteristics, strong points and weaker areas depending on the dancer: narrow, wide, Greek, Egyptian feet and type "Giselle", with much or little instep . The basic characteristics of any foot, its anatomy and the way and intensity of work of each dancer, will determine the ideal tip for the shoe.

For the same reason, to find the right material is so necessary to know the advantages and limitations, as well as choosing good professionals in this area you can advise fully personalized way and are able to offer the model tips perfect on your terms.

parts of ballet shoes

The perfect shoe for Ballet

The dancers of the Marina Alta you are in luck, because Dance World you will find the necessary support for the choice of this material work.

In World Dance you can find big brands like Bloch, Sansha or So Danca, which are characterized by their specialization and long experience in the world of dance. And in World Dance, they are ready to advise both professionals and beginners and enthusiasts of classical ballet.

Do not hesitate and visit World Dance in C / Maria Ibars No. 2 in Dénia, prepared to care for the health of your feet and your tool.

Anatomy of ballet slipper

Tope 1- or instep Recommended low stop for medium or low and high stops for vamps also high insteps.
2- platform or tip: tip base on which it rests. This may be flat, more rounded, square, narrow or more or less wide.
3- Case: This is made up of the top and the platform. It can take the form of "V" or "U". Depending on foot, Egyptian, Greek or "Giselle", wide or gradually be chosen box.
4- external soul or sole: As its name suggests, is part of the sole where the size and model of the tip is displayed.
Alas 5- or "wings" side of the box part. Some models reinforce the sides of the tips, especially for users with wide feet or bunions.
6- Folds: How to create binding satin, canvas or leather ends with the soul. You can find models with many folds and even others who have none.
7- central core: primary part of the tips. This is not visible because it is on the inside, and is responsible for creating the necessary environment for the dancer is mounted on the tip support. Can find a super-enhanced rigidity, ½ (reinforced) or ¾ (normal).

Anatomy of ballet slipper

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